This new series will publish research monographs and edited collections focusing on the history and theory of photography. These original, scholarly books may take an art historical, visual studies, or material studies approach. Interdisciplinary books are encouraged.
By Rotem Rozental
March 24, 2023
By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date.&...
By Elisa deCourcy, Martyn Jolly
January 09, 2023
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to...
By Claire Raymond
January 09, 2023
This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and ...
By Inessa Kouteinikova
December 30, 2022
This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic ...
By Alix Agret
October 31, 2022
Drawing on a panorama of materials from 1930s France, Eroticism and Photography in 1930s French Magazines takes a new approach to studying a certain type of image from a certain time. Previously untapped by historians, magazines such as Paris Magazine, Paris Sex Appeal, Pages Folles, Pour lire à ...
By Daniel Rubinstein
August 12, 2022
By analysing the philosophical lineage of notions of representation, time, being, light, exposure, image, and truth, this book argues that photography is the visual manifestation of the philosophical account of how humans encounter beings in the present. Daniel Rubinstein argues that traditional ...
Edited
By Mary Trent, Kris Belden-Adams
July 29, 2022
Through a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic,...
By Denis Skopin
March 30, 2022
This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images ...
By Antonella Russo
December 31, 2021
This book offers an analysis of the socio-historical conditions of the rise of postwar Italian photography, considers its practices, and outlines its destiny. Antonella Russo provides an incisive examination of Neorealist photography, delineates its periodization, traces its instances and its ...
By Oliver Moore
December 24, 2021
Emphasizing the medium’s reception among several Chinese constituencies, this book explores photography’s impact within new discourses on science, as well as its effects in social life, visual modernity and the media during China’s transition from imperial to republican government. General ...
Edited
By Derek Conrad Murray
November 19, 2021
This collection explores the cultural fascination with social media forms of self-portraiture, "selfies," with a specific interest in online self-imaging strategies in a Western context. This book examines the selfie as a social and technological phenomenon but also engages with digital ...
Edited
By Sara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen
April 08, 2021
This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever ...
