The series examines how these two intimately related genres were used to explore and disseminate new political ideas in a period of Enlightenment, Romanticism, and Revolution.
Scholars working within the disciplines of English, history, music, Celtic studies, and politics will find the series of interest, as will researchers whose wider concerns pertain to cultural history, anthropology and the history of philosophy, communication, and linguistics.
By Justin Tonra
September 01, 2020
Write My Name: Authorship in the Poetry of Thomas Moore is the first monograph devoted to Moore’s poetry. The focus of the book is on Moore’s poetry and differing formulations of authorship therein. Its scope comprises poetic publications from Moore’s early career, from his Romantic ...
Edited
By Sarah McCleave, Triona O'Hanlon
August 13, 2019
This collection of eleven essays positions Moore within a developing and expanding international readership during the course of the nineteenth century. In accounting for the successes he achieved and the challenges he faced, recurring themes include: Moore’s influence and reputation; modes of ...
Edited
By Sarah McCleave, Brian G. Caraher
August 23, 2017
Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore. This collection ...
By John Kirk
January 21, 2016
This collection of essays addresses the role of literature in radical politics. Topics covered include the legacy of Robert Burns, broadside literature in Munster and radical literature in Wales....
By Julie Henigan
January 21, 2016
Focusing on several distinct genres of eighteenth-century Irish song, Henigan demonstrates in each case that the interaction between the elite and vernacular, the written and oral, is pervasive and characteristic of the Irish song tradition to the present day....
By John Kirk
January 21, 2016
This is the first title in a new series called Poetry and Song in the Age of Revolution. This series will appeal to those involved in English literary studies, as well as those working in fields of study that cover Enlightenment, Romanticism and Revolution in the last quarter of the eighteenth ...
By Carol Baraniuk
October 01, 2014
James Orr was the foremost of the Ulster Weaver poets and has been favourably compared to his near contemporary Robert Burns. Baraniuk looks at Orr's life and work, examining the changing social, political and theological context of his writing and reassessing his contribution to radical literature...
By Carol McGuirk
October 01, 2014
Robert Burns is Scotland’s greatest cultural icon. Yet, despite his continued popularity, critical work has been compromised by the myths that have built up around him. McGuirk focuses on Burns’s poems and songs, analysing his use of both vernacular Scots and literary English to provide a unique ...
By Kate Horgan
May 01, 2014
Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major ...
