The Comedia series features new theoretical and empirical work exploring the dynamics of the arts and culture industries, and addressing critical issues in the field of contemporary popular culture: issues of production, design, marketing, and consumption. While the principle focus is contemporary, the series also offers historical, educational, and policy-oriented perspectives across a broad range of media and cultural forms, from the news media to the visual arts.
By Jonas Andersson Schwarz
February 12, 2018
It is apparent that file sharing on the Internet has become an emerging norm of media consumption—especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) ...
By Armand Mattelart
October 17, 1991
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company....
By Sean Cubitt
January 03, 1991
Focusing on the aesthetics of video, Timeshift tests current semiotic, postmodernist and psychoanalytic approaches in the laboratory of real-life video viewing....
By Zlatan Krajina
October 28, 2016
This book is an interdisciplinary empirical investigation of how people interact with public screens in their daily lives. In more and more surprising locations, screens of various kinds appear within the sightlines of passers-by in contemporary cities. Outdoor advertisers target audiences which ...
By David Morley
January 01, 1986
First Published in 2006. In this detailed study of television viewing among families from different cultural backgrounds, Morley develops many of the themes of his earlier work on the nationwide audience. This book extends that work into new territory, examining different ways in which television ...
By Robert Lumley
March 10, 1988
A provocative contribution to the current debate on museums, this collection of essays contains contributions from France, Britain, Australia, the USA and Canada....
By Dick Hebdige
November 10, 1988
Dick Hebdige looks at the creation and consumption of objects and images as diverse as fashion and documentary photographs, 1950's streamlined cars, Italian motor scooters, 1980's 'style manuals', Biff cartoons, the Band Aid campaign, Pop Art and promotional music videos. He assesses their broad ...
By Dick Hebdige
July 16, 1987
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company....
By Rowan Wilken
March 28, 2014
Teletechnologies, or technologies of distance, cannot be ignored. Indeed, the present electronic age is said to have wrought profound changes to how we think about and experience who we are, where we are, and how we relate with one another. Place and community have traditionally formed key concepts...
By Christine Holmlund
December 20, 2001
Impossible Bodies investigates issues of ethnicity, gender, and sexuality in contemporary Hollywood. Examining stars from Arnold Schwarzenegger and Clint Eastwood, to Whoopi Goldberg and Jennifer Lopez, Holmlund focuses on actors whose physique or appearance marks them as unusual or exceptional, ...
By Iain Chambers
July 05, 2001
Culture After Humanism asks what happens to the authority of traditional western modes of thought in the wake of postmodernist theories of language and identity. Drawing on examples from music, architecture, literature, philosophy and art, Iain Chambers investigates moments of tension, ...
By Martin P. Davidson
July 30, 1992
Advertising is no longer on the defensive. It has survived the snobbery of the 50s, the conspiracy theories of the 60s and the semiology of the 70s to be embraced and apotheosised by the 80s. The Consumerist Manifesto is the first book to examine the advertising process from within the agency ...
