The Routledge Companion to Caste and Cinema in India  book cover
1st Edition

The Routledge Companion to Caste and Cinema in India




ISBN 9781032160993
Published November 22, 2022 by Routledge India
440 Pages 16 B/W Illustrations

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Book Description

This companion is the first study of caste and its representation in Indian cinema. It unravels the multiple layers of caste that feature directly and indirectly in Indian movies, to examine not only the many ways caste pervades Indian society and culture but also how the struggle against it adopts multiple strategies.

The companion:

•          critiques Indian cinema production through the lens of anti-caste discourse;

•          traces the history of films beginning from the early twentieth century, focusing on caste representations across India, including Hindi, Malayalam, Kannada, Marathi, Bengali, Punjabi, Tamil as well as silent films;

•          makes a foray into OTT media;

•          includes analysis of popular films such as Padmaavat, Masaan, Fandry, Sairat, Sujata, Article 15, Chomana Dudi, Lagaan, Court, Ee.Ma.Yau, Kaala, Pariyerum Perumal, Perariyathavar, among many others, to critique and problematise the idea of caste.

 

A major intervention, this book alters traditional approaches to ‘caste’ in Indian cinemas and society and explores new political strategies implemented through cinematic creation and aesthetics. It will be indispensable for scholars and researchers of film studies, social discrimination and exclusion studies, human rights, popular culture, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.

Table of Contents

List of figures

List of contributors

Acknowledgments

 

 

Shifting the Gaze

 

Introduction

Joshil K. Abraham and Judith Misrahi-Barak

 

 

From Spectatorship to Agency

 

1.      Dalit Representation in Hindi Cinema

Harish S. Wankhede

 

 

2.      To Kill or To Allow to Live: Caste Necropolitics, Ozhivudivasathe Kali, and Malayalam Cinema

Rajesh James, Binu K. D., & Aswin Prasanth

 

 

3.      The Oppositional Bahujan Agency

Jyoti Nisha

 

 

4.      Magizhchi! ‘The Casteless Collective’ and the Sensorial Exscription

Dickens Leonard and Manju Edachira

 

 

Making the Invisible Visible

 

5.      Historiography and Historiophoty in Anubhav Sinha’s Article 15

Debjani Banerjee

 

 

6.      Arakshan and Article 15: Is there any Transformation in the ‘Brahminical Gaze’?

Runa Chakraborty Paunksnis

 

 

7.      Visualising the Invisible: Decoding Caste Pride and the Casteist Slur in Bollywood Films

Sumit Rajak

 

 

The Bigger Picture

 

8.      Over-the-top: Online Media, Chromatics, and the Transnational Travels of Caste

Purnima Mankekar and Sucharita Kanjilal

 

 

9.      Indian Cinema, Hunger, and Food: Family, Class, and Caste

Swarnavel Eswaran

 

 

Caste and Gender

 

10.  Re-cast(e)ing the New Woman: Caste and Gender in Contemporary Indian Cinema

Megha Anwer and Anupama Arora

 

 

11.  The Construction and Representation of Lower Caste Women in Bollywood Films

Farhana Naaz

 

 

12.  P. K. Rosy and Devaki Bai: Cast(e)ing the Malayalam Silent Film Actresses

Geetha

 

 

13.  Examining the Domain of Caste, Gender, and Sexuality through Select Films of Jayan K. Cherian

Ved Prakash

 

 

Caste on Trial

 

14.  Dalit Subjectivity, Democracy, and Radical Equality or, What Bollywood Could Learn from Ambedkar

Chinmaya Lal Thakur

 

 

15.  The Constitution of/and Caste: Portrayal of Caste and Legal Justice in Three Contemporary Indian Films by Savarna Filmmakers

Rituparna Sengupta

 

 

16.  Beyond Violence and Non-violence: A Study of Dalit Resistance and Accommodation in Cinematic Popular Justice

Ram Kumar Thakur

 

 

The Entanglements of Caste and Nature

 

17.  The Caste of Nature: Wholesome Bodies and Parasites in Bimal Roy’s Sujata and Gogu Shyamala’s ‘A Beauteous Light’

Nicole Thiara

 

18.  The Pig, the Black Sparrow, and the Sheep: Human-Animal Entanglements in Fandry and Khwada

Shalmali Jadhav

 

19.  Landless, Homeless, and Nameless: Locating Caste in the Environmental In/Justice in Perariyathavar

P. Rajitha Venugopal

 

 

Not Two but Three States

 

20.  Framing Local Legends and the Caste Matrix in the Tamil Cinema of the late 1980s

Stalin Rajangam and P. Aadhavan

 

 

21.  The Alienation of the Other: Examining Marginal Narratives in Select Punjabi Films 

Amandeep Kaur & Sahil Sharma

 

 

22.  Caste, Voyeurism and Kannada New Wave Cinema

Mahima Raj C.

 

 

From Closer Up

 

23.  Exploring Caste on Screen and Beyond: A Study of Chomana Dudi

Jaishree Kapur

 

 

24.  Screening Caste: ‘Untouchable’ Body, Labour and Remuneration in Lagaan

Purnachandra Naik

 

 

25.  The Untouchable Rajputs of Padmaavat and Beyond: A Cas(t)e Study

Tanya Singh

 

 

26.  Masaan, a Tale of Forbidden Love

Ravinder Singh Rana

 

 

27.  Beyond Narratives of Modernity, Pain and Pathos: Dalit Aesthetic in Kabali and Kaala

Reju George Mathew

 

 

28.  ‘Ella Manusanum inga onnu illa’: Imag(in)ing the Claustrophobia of Caste in Pariyerum Perumal

B. Geetha

 

29.  Caste, Coast, and Christianity in Kerala: Analysing the Visual Representation of Latin Catholics in Ee.Ma.Yau.

Grace Mariam Raju

Filmography

Select Bibliography

Index


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Editor(s)

Biography

Joshil K. Abraham is an independent researcher. He is currently working on the Open University project for Cornerstone OnDemand.

Judith Misrahi-Barak is Associate Professor at Université Paul Valéry Montpellier 3, France. She teaches in the English Department and is a member of the research center EMMA.